Händel and Humanity

In Grieghallen´s basement rehearsal room, figures in tattered grey sing Händel as they shuffle towards a table where soup is ladled from a vast battered pot. The scene is bleak. We are in Ireland – or it could be Norway – in some kind of timeless misery with freezing weather and famine, where the country´s distant officials have long ceased to care, and where the church is struggling between old-school hell-fire authority and its need to offer succour.

Straight talk

Let’s be perfectly clear: there are many, many terrific and talented Norwegian singers working all over Norway. There are a smaller number working on the world’s main stages, in addition to many excellent Norwegian early music or music theatre singers working in more intimate theatres. The current debate is fuelled in part by sound bites, […]

Tzars don’t change that much – Aftenposten, 24th March 2014

It´s timely that right now in Bergen we are preparing an opera based on a Pushkin poem about Russian imperialist ambitions. Rimsky-Korsakov´s Gullhanen (The Golden Cockerel) – which tells the story of a mythical Tzar who invades a neighboring country, and is pecked to death by a golden bird charged with warning him of danger […]

What´s the word for…..?

We are always proud of our international cast and creative teams at Bergen National Opera. Now, however, we appear to have a small global convention downstairs in Klokkeklang, the somewhat airless little space in which we work before our productions can have access to the main Grieg Hall stage. So, for Beethoven´s Fidelio, we have […]

A week of great moments – and an absurd piece on Scotland in The New Yorker

Last week was a characteristic mix of travel, frustrations, meetings, political intrigue and great moments. It was wonderful to have composer Orlando Gough here to discuss a possible – and enormous – project for the 2014 Norwegian bi-centenial independence celebrations. Meetings with Festspillene i Bergen, animateur Ole Hamre, Den Nasjonale Scene, the Bergen Philharmonic and […]